Tag Archives: James Brown

Episode10 Soul

1. Mayer Hawthorne – I Need You, Stones Throw
2. HE3 Project – Just Like Magic, Family Groove
3. the Stars Beams – Disco Tromp, Trans Air
4. Herbie Hancock – Virtual Hornets, Columbia
5. Leroy Hutson – Feel the Spirit, Eastend
6. Curtis Mayfield – Move on Up, Buddah
7. Chico Hamilton – Homeward, Columbia
8. James Brown – Why I Treated So Bad, Polydor
9. Fred Wesley and the J.B.´S – Damn Right I´m Somebody, People
10. Johnny Hammond – Los Conquistadores Chocolates, Eastend
11. the Isley Brothers – Cold Bologna, TNeck
12. the Kay Gee´s – Wondering, Gang Records

Episode09 Soul

1. Marvin Gaye – I Want You, Tamla
2. Fred Wesley and the Horny Horns – Up For The Down Stroke, Atlantic
3. James Brown – Any Day Now, King Records
4. Curtis Mayfield – Kung Fu, Curtom Records
5. Stevie Wonder – Golden Lady, Tamla
6. the JB´S – More Peas, People
7. Atmosfear – Dancing in Outer Space, Wolf Music
8. José James – Blackmagic ep – Blackmagic, Brownswood
9. Mayer Hawthorne – When I Said Goodbye, Stones Throw
10. Quincy Jones – They Call Me Mister Tibbs, Soul Jazz
11. the Isley Brothers – Midnight Sky part 1 and 2, CBS
12. LTJ – Untitled, Super Value 09

James Brown

James Brown(born May 3, 1933, Barnwell, S.C., U.S.—died Dec. 25, 2006, Atlanta, Ga.) American singer, songwriter, arranger, and dancer, who was one of the most important and influential entertainers in 20th-century popular music and whose remarkable achievements earned him the sobriquet “the Hardest-Working Man in Show Business.” Brown was raised mainly in Augusta, Ga., by his great-aunt, who took him in at about the age of five when his parents divorced. Growing up in the segregated South during the Great Depression of the 1930s, Brown was so impoverished that he was sent home from grade school for “insufficient clothes,” an experience that he never forgot and that perhaps explains his penchant as an adult for wearing ermine coats, velour jumpsuits, elaborate capes, and conspicuous gold jewelry. Neighbours taught him how to play drums, piano, and guitar, and he learned about gospel music in churches and at tent revivals, where preachers would scream, yell, stomp their feet, and fall to their knees during sermons to provoke responses from the congregation. Brown sang for his classmates and competed in local talent shows but initially thought more about a career in baseball or boxing than in music. At age 15 Brown and some companions were arrested while breaking into cars. He was sentenced to 8 to 16 years of incarceration but was released after 3 years for good behaviour. While at the Alto Reform School, he formed a gospel group. Subsequently secularized and renamed the Flames (later the Famous Flames), it soon attracted the attention of rhythm-and-blues and rock-and-roll shouter Little Richard, whose manager helped promote the group. Intrigued by their demo record, Ralph Bass, the artists-and-repertoire man for the King label, brought the group to Cincinnati, Ohio, to record for King Records’s subsidiary Federal. The label’s owner, Syd Nathan, hated Brown’s first recording, “Please, Please, Please” (1956), but the record eventually sold three million copies and launched Brown’s extraordinary career. Along with placing nearly 100 singles and almost 50 albums on the best-seller charts, Brown broke new ground with two of the first successful “live and in concert” albums—his landmark Live at the Apollo (1963), which stayed on the charts for 66 weeks, and his 1964 follow-up, Pure Dynamite! Live at the Royal, which charted for 22 weeks.

During the 1960s Brown was known as “Soul Brother Number One.” His hit recordings of that decade have often been associated with the emergence of the black aesthetic and black nationalist movements, especially the songs “Say It Loud—I’m Black and I’m Proud” (1968), “Don’t Be a Drop-Out” (1966), and “I Don’t Want Nobody to Give Me Nothin’ (Open Up the Door, I’ll Get It Myself)” (1969). Politicians recruited him to help calm cities struck by civil insurrection and avidly courted his endorsement. In the 1970s Brown became “the Godfather of Soul,” and his hit songs stimulated several dance crazes and were featured on the sound tracks of a number of “blaxploitation” films (sensational, low-budget, action-oriented motion pictures with African American protagonists). When hip-hop emerged as a viable commercial music in the 1980s, Brown’s songs again assumed centre stage as hip-hop disc jockeys frequently incorporated samples (audio snippets) from his records. He also appeared in several motion pictures, including The Blues Brothers (1980) and Rocky IV (1985), and attained global status as a celebrity, especially in Africa, where his tours attracted enormous crowds and generated a broad range of new musical fusions. Yet Brown’s life continued to be marked by difficulties, including the tragic death of his third wife, charges of drug use, and a period of imprisonment for a 1988 high-speed highway chase in which he tried to escape pursuing police officers.



  1. the JB´S – Escape-ism pt2, Polydor
  2. the Jb´s – (It´s not the express) It´s the Jb´s Monaurail, Polydor
  3. James Brown & Jb´s – World of Soul, Polydor
  4. James Brown – Any Day Now, King Records
  5. the JB´S – More Peas, People
  6. James Brown – Why I Treated So Bad, Polydor
  7. Fred Wesley and the J.B.´S – Damn Right I´m Somebody, People

Episode05 Soul

1. Stevie – Super Stich On, Killer Funk
2. the Jb´s – (It´s not the express) It´s the Jb´s Monaurail, Polydor
3. George Benson – the World is a ghetto, Warner Bros
4. Mayer Hawthorne – I wish it would rain, Stones Throw
5. the Fatback Band – Keep on steppin, Polydor
6. Mayer Hawthorne – One track mind, Stones Throw
7. Frank Mantis – Pick it up, Sonorama Records
8. James Brown & Jb´s – World of Soul, Polydor
9. First Choice – Doctor Love, Rams Horn
10. Riccio & LTJ – Good Vibe, Hidden History Recordings
11. Tina Fabrique – Alive with Love, Dureco Records
12. Eddie Kendricks – Keep on Truckin, Unknown

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